
As an MFA Candidate at the University of Washington, I serve as the Instructor of record for 1-2 courses per quarter for both years of the program.
Summer 2025
D117: Introduction to Commercial Dance
D186: Fundamentals of Groove
Autumn 2025
D217: Commercial Dance
D386: Intermediate Street & Club Dance Techniques
Winter 2026
D100: Understanding Dance (online)
Spring 2026
D286: Special Topics in Street & Club Dance
*upcoming* Autumn 2026
D125: Beginning Tap
D386: Intermediate Street & Club Dance
Guest Lecturer & Movement Workshop Instructor:
March 2023 and October 2023
Guest Instructor
February, May, and October 2019
November 2020
December 2021
I taught dance to grades K-5 at PS 532 New Bridges Elementary School in Crown Heights, Brooklyn from 2018 until 2025. I earned my NY State K-12 Dance teaching certificate while working at New Bridges and was awarded tenure there in 2023.
My students learned technique and choreography in hip hop, step, jazz, and modern dance and performed in two Arts Festivals each year. My students learned to celebrate their culture, to respect the cultures of others, and to operate free of judgment and bias as creative people in our society. An antiracist and anti-bias lens is applied to all of my work, even with my youngest students.
I frequently collaborated with our music teacher, Alice Tsui, on projects combining dance with vocal and instrumental music in creative ways. I have also collaborated with Camille A. Brown & Dancers' Every Body Move and Black Girl Spectrum programs to provide supplemental after school dance programming for students from 1st to 5th grades.
The New Bridges Winter and Spring Arts Festivals I choreographed for include:
WAF 2018: Reach Higher
SAF 2019: Reach Higher
WAF 2019: Live and Learn with DRIVE
SAF 2020: Time to Rise
WAF 2020: Forward Together
SAF 2021: It's A New Day
WAF 2021: Homecoming
SAF 2022: Homecoming - Lift Every Voice
WAF 2022: Many Voices, One Mission
SAF 2023: Many Voices, One Mission
WAF 2023: My Best Me
SAF 2024: Our Best Selves
WAF 2024: Know More, Grow More!
SAF 2025: Know More, Grow More!
I began my full-time post-graduate teaching journey as an Associate Teacher in Success Academy Crown Heights in 2015. I taught reading and math in 1st and 3rd grades classrooms, while earning my Masters degree and initial teaching certifications, and supported our school's Dance teacher Jeff Cowans as co-lead of the after-school Dance Crew.
The following school year, I transferred to Success Academy Springfield Gardens to found their brand-new dance program. I taught Dance there to grades K-4 from 2016 to 2018. While the program was rooted in hip hop and social dance practices, my students learned ballet, jazz, and modern techniques as well. I served as the Cohort Coordinator for all the Queens Dance Teachers in the Success Academy network from 2017-2018. I collaborated with the Music and Visual Arts teachings to create bi-annual recitals, choreographed nearly 10 dances per show, conducted multiple after-school clubs per year, and coordinated parent and family participation in school events.
School events I coordinated and choreographed include:
Celebrating Self: Winter Showcase 2016
Black History Month Open Mic 2017
#Purpose: Spring Showcase 2017
#TBT as SASG: Winter Showcase 2018
Springfield Gardens All Star Basketball Game Half Time Show
SG's Best Dance Crew: Spring Showcase 2018
I taught teens and adults at Mark Morris Dance Center in from 2022-2025. Adult course offerings including a beginner drills & skills class and a beginner choreography class, both of which introduced students to grooves, rhythms, textures, pathways, and movement vocabulary in Hip Hop, street styles, and club styles of Afrodiasporic dance. In the choreography class, steps from the 80's, 90's, and 00's were infused with popular music and movement into a routine that is taught two weeks in a row, allowing students to work on timing, retention, fluidity, and performance. Teen dancers aged 10-18 received a developmentally appropriate adaptation of this curriculum on a semester-long enrollment basis, which allowed them to build on skills each week and ultimately share what they learned with their communities at a culminating Friends & Family Day showing.
From 2021 to 2025, I taught open level Street Styles Choreography at Modega, incorporating hip hop, popping, house, and litefeet techniques into my routines. I began my 90s and 2000s Hip Hop Grooves class in March 2022, and the class became one of the studio's most successful yet. The class alternated between a Beginner and Advanced Beginner Level, using the same piece of choreography both weeks but taught according to the appropriate level.
In 2022, I taught at NXGN West New York, owned and operated by Cebo and Shinobou Carr. My Basics class ran like a personalized training session for all students, including drills, specialized tips, and skill building, while my Beginner Hip Hop Choreography class gave students a chance to practice those skills with essential hip hop vocabulary, fluid transitions, and musicality.
From 2017-2020, I taught weekly Beginner Hip Hop Foundations classes at House of Movement. The class operated on a 5-week rotation based on the basic grooves of hip hop: down groove, up groove, bounce groove, and the Jack, with Week 5 as a wildcard or texture study week.
Throughout my decade in New York City, I also served as a guest and substitute instructor in Peridance Capezio Center and PMT House of Dance for hip hop foundations and choreography classes at various levels.
I teach from a place of Black cultural grounding, honoring the legacy of Afro‑diasporic movement practices and the communities who shaped them. My pedagogy is rooted in anti‑racist values, an ethic of care, and a deep belief that dance is a living archive of Black identity. In my classroom, groove is not just technique—it is a method of remembering, a way of listening, and a pathway to embodied scholarship. I guide students to move with intention, to feel the weight of history in their bodies, and to cultivate a practice that is accountable to the people and places from which these forms emerge.
My teaching bridges Hip Hop’s movement vocabulary with its socio‑historical context, illuminating how Black creativity has shaped global culture while often being erased or obscured from it. I emphasize lineage, authorship, and cultural specificity, helping dancers understand not only how to execute a step but why it exists and who created it. Through structured repetition, musical analysis, and community‑centered learning, I support students in developing fluency in Africanist aesthetics—polyrhythm, groundedness, high affect juxtaposition, percussiveness, fluidity, and the aesthetic of cool—while honoring their own artistic identities.
I cultivate learning environments where dancers can engage rigorously with Black social dance without reproducing anti‑Blackness. This means identifying systems of power, interrogating appropriative behaviors, and celebrating unsung heroes. It means teaching students to cite their sources, uplift culture‑bearers, and recognize the intellectual labor embedded in Black movement traditions. It also means embracing the joy, play, and communal spirit that animates these forms. My classes are spaces where students sweat, reflect, research, and groove—where they learn to hold complexity with both discipline and delight.
As a scholar‑practitioner, I connect contemporary dance phenomena to their Afro-diasporic origins, helping students trace the threads that link street, club, and concert dance to ancestral practices of storytelling, resistance, and collective care. I teach dancers to see themselves as part of a continuum—participants in a lineage that is both ancient and ever‑evolving. My goal is to develop artists who move with cultural literacy, who understand the stakes of representation, and who contribute to dance communities with integrity.
Ultimately, I teach to preserve and expand Black dance legacies. I teach to share with students the blissful experience of movement designed by Black people. I teach to ensure that the stories, aesthetics, and innovations of our communities continue to thrive—on stages, in studios, in the clubs, on the streets, and in the bodies of the next generation of dancers.
Teaching with integrity and purpose requires an unwavering sense of principle. Considering the social injustices that plague marginalized people inside and outside the dance studio, teachers have a responsibility to evaluate how they create learning spaces that foster growth and transformation. This lecture will walk participants through the process of aligning teaching and learning practices with the core values that form an individual’s outlook on humanity. An antiracist lens will be applied to this dance pedagogy, with an emphasis on connecting individual core values with teaching techniques that honor Afrodiasporic tradition.

"Afrika Bambaataa said hip hop is a culture about peace, love, unity, and having fun.
But when that peace, love, unity, and fun excludes black people, silences black voices, and undermines the black experience, it is NO LONGER accessible to you.
Black lives HAVE to matter, or else hip hop is NOT for you."

Spoke on a Zoom panel in June 2020 about Black dance practices within the Cornell Dance community in the wake of George Floyd's murder, alongside Moncell Durden, Ben Ortiz, and alum of the Cornell dance community.

What is the place for non-Black dancers in today’s hip-hop/“urban” dance culture? This year, Prelude NorCal is using our platform to investigate the issue of cultural appropriation of hip-hop dance as a Black cultural art form, and our privilege as non-Black dancers. We are inviting community leaders and academic experts to speak and educate on the history of hip hop, and its commodification and gentrification that we are seeing in dance today. To become a more informed and inclusive community, we invite all our past Prelude NorCal attendees and wider circles to participate in our 2-day speaker series this fall. If you are interested in learning more about how to enact anti-racism and fight complicity in your dance experience, we implore you to join us and learn more about this critical issue.
Jillian Amadi: "Give Props to Hip-Hop: Honoring the Culture Responsibly" (1hr Workshop/Lecture)
Arnel Calvario, Bibi Khalili, Breanna Myers, Jade "SOUL" Zuberi, Jillian Amadi, Traci Bartlow, Christian Rodriguez, moderated by Danyel Moulton: "Move With Intention" (1hr Community Panel)
Jillian’s approach to dance education is grounded in rigorous training and a deep commitment to culturally sustaining practice. After earning her Masters in Early Childhood Education and completing coursework at Dance Education Laboratory at the 92nd Street Y, she earned professional certifications in Childhood Education (1-6) and K–12 Dance. This training expanded her pedagogical toolkit with methods that center creativity, accessibility, and student agency. A committed lifelong learner, Jillian designs environments that honor the Afro-diasporic communities who have created and sustained contemporary street and club dance.
During the 2020 Covid‑19 lockdown and the global resurgence of the Black Lives Matter movement, Jillian became a sought‑after voice for dancers, educators, and teams seeking to deepen their understanding of Black dance culture and confront anti‑Blackness within their own practices. She spoke on panels for Cornell University, Prelude Northern California, the Work From Home Workshop Series, LAYERS Study Hall, and Freedom Movement Collective, offering historical grounding, cultural context, and strategies for ethical participation in Hip Hop.
Her community engagement continued through mentorship roles, including serving as the Hip Hop History Mentor for Danyel Moulton’s D‑Con 4 virtual program and contributing as a writer and advisor for Freedom Movement. Jillian has coached professional dance groups including The Company and The Neighbors Dance team, supported collegiate teams at Northeastern, UC Boulder, UC Riverside, and UC Berkeley, and guided dancers in developing culturally literate, antiracist approaches to their craft.
Across all of this work, Jillian’s impact reflects her dedication to learning, her clarity as a communicator, and her ability to reach dancers from a wide range of backgrounds and experiences — both virtually and in person.
For inquiries about classes, coaching, or other bookings, email or DM and I'll get back to you shortly.